stacking klon and timmycar accident in hartford, ct today
The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. Here are a handful of perfect pedal pairs for creative tone stacking. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. All drive pedals have an inherent sound and EQ curve. 59 . But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. A Sweetwater Sales Engineer will get back to you shortly. Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. This next one has been around for a while, since before people even started stacking pedals. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Please check the fields highlighted in red. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? They boost other effects and add a nice thing to the pick attack and note bloom when they are first. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. Seriously though, I do it all the time. Price to sell look it up Reverb this one is really in mint condition kill switch and all. Also, get a Klon and try it as a heavy overdrive. It has a lot of good reverbs: big and ambient or spring. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. You let one run quarter notes, and the one after it runs dotted eighth notes. Next up is a fun one. the are different circuits geared towards COMPLETELY different sounds-. Ive always really liked the rat when ever Ive tried it and the price is right. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. Hey! With even EQ spectrum, based on Bluesbreaker, etc. This website uses cookies to improve your experience. Stack amazingly well but dont neatly fit any of the previous categories. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. Clavey paddle sports petaluma blvd s petaluma ca. By 2,520. Stacking dimed drives often results in tubby, indistinct tone. You are using an out of date browser. That said, it's a great, versatile pedal. Know What You Have, Decide What You Need Next. See giveaway details & rules or check out our past winners! One option is to set them up to be multiple gain stages. Virginia. So, Big Muff into a Tube Screamer. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. I think this is going to help you be heard. It's probably more comparable to a Klon, more of a dirty boost, and if anything it can be a bit bass heavy . Powered by Invision Community. I really like my TS into my OCD. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. Browne Amplification Carbon $219+ | Click title for video. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells . One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. Honestly the Timmy isn't needed in that situation, as the BE-OD is one nasty pedal with major "tude". Gite d'etape communal le monastier sur gazeille. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. 6. Are there more or less mids? The Timmy has a more versatile EQ section, but sonically they have very similar signatures. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. Learn More. The last pedal in the stack has the biggest influence on the overall tone. How are you running the two pedals gain wise? To be heard. The possibilities are endless. Ray20July 16, 2006 in Effects and Processors, I was told buy someone who has both that the timmy sounds just like the klon, but has more versatile tone controls. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. Hey! This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish I'm running Soul Food into Timmyawesome. The RF is an efficient speaker and leaves very little of your amp's output behind when played. I haven't had much luck with Klones and stacking with other dirt pedals. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. Terry B Humble student of the blues . OD pedal to pair with Timmy. If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. Mooer's Blues Crab should be a solid budget option. Good Luck! I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. Plus you can add in the tremolo. Klon vs. timmy. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. The DOD boost is used by itself for a clean solo sound. JavaScript is disabled. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. Now this is big. Here, the relevant question tends to be "Rat before or after Rat? Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. It tastes like heaven. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. Myself? The original Klon employed traditional through-hole parts. This is a lower rent district than some gear forums. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . seems like an odd combo. There's a few pedals you could use here. If you go too far, you can make your tone muddy. Ive been feeling like the cm2 for a few months now. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. It's honestly a modern staple; this thing is on a ton of boards for a reason. The Eventide H9 is another option that I actually have on my personal board. I vote used dod 250. Any suggestions would be greatly appreciated as to which order makes more sense in general. They are too loud stacked. (continue with the douch bag and asshole comments!). Your email, has been entered to win this giveaway. For a better experience, please enable JavaScript in your browser before proceeding. I hate it as a clean boost. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. **For reference, the case is bigger than my head. You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. Sts 114 team award criteria. It sounds like Martian food. Some pedals are great at specific jobs. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. If you want to add another tone to your board, look for pedals that will complement the tones you already have. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? Germany, : () . If you have this setup, try it. Some of the add-ons on this site are powered by. I love using the JAM TubeDreamer, which is really a great version of a Screamer, but any of them will work. Actually, the old timmy's sound a little different than the tims. Whew! I have both & they are completely different. Maybe a certain pedal simply does not play well with others. Too much gain or level can cause excessive hiss or hum, handling noise, weird EQ, and compression, and it can actually make your sounds seem smaller. In a head to head comparison, tonally, they are almost identical. Rickenbacker 360/12 string in Fireglo in perfect condition. Turn the pedal on and play the same chord. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? 1995-2022 Harmony Central, Inc. All rights reserved. they will both say they are original designs and had different starting points. Last edited: May 24, 2021. It does not nail the klon nor is it suppose to. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. Thank you for your request. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. Timmy is used by itself for a crunchier sound than Klon. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. Designed to replicate the characteristics of a specific amp. Actually there are TWO of us saying that they are similar in sound. Long story short, you put these two pedals together, and you get the one amp to rule them all. If you want to see the reason this is cool, turn the drive knob up. Lol. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. Both pedals have an external tab jack. And before you ask, no, were not defeating the Huns. It may not display this or other websites correctly. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. I bet you thought I was just going to talk about dirt pedals the whole time, didn't you? Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . Someone needs to reverse engineer that bad boy. Randy has agreed to share his secrets and vast knowledge with us on Monday's and Tuesday's ( When he's not on tour of course) He has been performing his Tribute to Jimi since 1977 and has also played with many other artists.